Just as the Orpheus
advanced the absolute state-of-the-art in what was possible with
a phono cartridge in terms of musically natural reproduction of the
analog LP, the new Phoenix re-defines what is possible in its price
class (and considerably far above it). The Phoenix is the new price/performance
leader in the areas of transparency, timbre, bass-impact and articulation...oh,
yes, and in the all important JPF factor (Just Plain Fun).
The huge gains in musical performance by both the Phoenix and the
Orpheus over cartridges already recognized as world-leaders in their
respective price ranges is both gratifying and encouraging at a time
when analog playback seems stronger and more healthy than ever, at
a time when digital playback seems almost in search of an identity.
At a time when the average listener to digital (the ubiquitous ipod
listener) is accepting a significant reduction in sound quality from
even redbook CD, LP lovers are discovering new worlds in the same
old grooves they have been listening to for over half a century.
We are very grateful to Mr. Yoshioka and the other pioneers of the
new analog era, for bringing us closer to the emotion and experience
of live music than we dreamed possible a few years back, when reports
of the death of analog circulated, apparently, prematurely…
The Phoenix brings an exciting, full-bodied sound with tremendous
rhythm and bass impact. With a sparkle on top that never sounds too
hot, it may be the perfect cartridge for jazz and classical music
lovers. The double-ring-magnet construction ensures the usual Transfiguration
musical coherence and phase-linearity, which presents a seamless
view into the musical performance.
The Phoenix delivers performance
at its price-point that was unachievable by any cartridge at any
price, even just a few years ago.
|